ConstructingFutures

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	<title>ConstructingFutures</title>
	<link>https://constructingfutures.design</link>
	<description>ConstructingFutures</description>
	<pubDate>Sun, 07 Jul 2024 21:57:42 +0000</pubDate>
	<generator>https://constructingfutures.design</generator>
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	<item>
		<title>Slideshow</title>
				
		<link>https://constructingfutures.design/Slideshow</link>

		<pubDate>Sun, 23 Jun 2024 15:18:31 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

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		<description>
	
	
&#38;nbsp;Constructing Futures AI&#38;nbsp;


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	<item>
		<title>Exhibit Blurb</title>
				
		<link>https://constructingfutures.design/Exhibit-Blurb</link>

		<pubDate>Sun, 23 Jun 2024 15:18:32 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

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		<description>
	Constructing Futures AI launched an international call for AI generated images to envision the future of construction technology. Compelling AI images and visions have the power to change the course of current development. The widespread deployment of the robot originated in Detroit and there is no better place to imagine futures for construction.

Innovation thrives with diverse perspectives. AI has the power to quickly produce images from text and as this technology moves into widespread use, it has the ability to democratize the work of thinkers, dreamers, and disruptors to contribute their unique visions of what might or should lie ahead.
 The 2024 exhibition builds on the success of the Mobile Detroit 2050 exhibition.

Constructing Futures AI asked for images of and from the future. How will we build in the future? Images were selected for exhibition during the Month of Design 2024 in Detroit. The work was the basis for roundtable discussions, jury panel, and publication.

Selected images submited by the following designers, architects, and artists:
Alberto Martina, 
Alina Holovatiuk, Alphonso Peluso, 
Alya Rahmoun, 
Andrew Kudless, 
Andrew Montgomery, Angelo Figliola, 
Anirban Adhya, 
Arturo Del Razo Montiel, 
Asma Mehan, 
Barbara Regazzi, 
Bill Palomino, 
Brian Kelly, Carla Diana, 
Cesare Battelli, 
Connor Richardson, 
Damon Leverett, 
Daniel Koehler, 
David Quenby, 
Dillon Pranger, Dimitrios Mitsimponas, 
Doug Lake, 
Dustin  White, 
Dustin Altschul, 
Eddy Tavio, 
Eilis Finnegan, 
Erik Knauss, 
Eve Mitton, Frank Melendez, 
Frederick Kim, 
Greg Tate, 
Ila Colombo, 
Jacob Sam, 
Jaret Rice, 
Jason Vigneri-Beane, 
Joseph Choma, Joshua Vermillion, 
Kajetan Szostok, 
Kirsten Crawford, 
Kurt Neiswender, 
Lamila Simisic Pasic, 
Leonid Krykhtin, Liya Anthraper, 
Lorenzo Tinti, 
marco d’ambrogio, 
Marco Vanucci, 
Masataka Yoshikawa, 
Mateo Cornejo Baus, Matteo Piscicelli, 
Mohamad  AbdAllah, 
Odd Builds Builds, 
Robert Cha, 
Rolando Cedeno de la Cruz, 
Saly Elsols, 
Sara Faraon

Sarah Levene, 
Shermeen Yousif, 
Sina Mostafavi, 
Stefano Bastia, 
Tandem Tangents Tangents, 
Theresia Abou Hala, Virginia San Fratello, 
Yamen Al Mohtar, 
Zackery Belanger
Professional photography (from gallery below) credit Steve Kroodsma:


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Indisvidual images are posted on the Constructing Futures IG&#38;nbsp;︎
#ConstructingFuturesAI


#DetroitMonthOfDesign


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		<title>Exhibit Slideshow</title>
				
		<link>https://constructingfutures.design/Exhibit-Slideshow</link>

		<pubDate>Sun, 07 Jul 2024 21:57:05 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/Exhibit-Slideshow</guid>

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&#38;nbsp;Constructing Futures&#38;nbsp;


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		<title>Exhibit description</title>
				
		<link>https://constructingfutures.design/Exhibit-description</link>

		<pubDate>Sun, 07 Jul 2024 21:57:42 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/Exhibit-description</guid>

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The Constructing Futures Exhibition highlighted the future of construction and design for the built environment, with a particular focus on robotics, additive manufacturing, computational design, and AI. The installation, exhibition, lectures, and workshops served as a platform to facilitate crucial conversations around these emerging technologies, bringing together stakeholders from cultural institutions, universities, and industry partners.
Mass production and industrial robotics emerged from the automotive industry in Detroit. Building on this rich history, the exhibition delved into the transformative potential of robotics, additive manufacturing (AM), computational design, and artificial intelligence (AI) specifically for the built environment. The exhibition served to expand the influence of and lay the groundwork for conversations around construction innovation and how we might build more intelligently in the future.
The Exhibit Opening occured on September 5, 2024Located at 1001 Woodward Ave, Detroit


Panelists:Brian Ringley, Principal Product Manager at Boston DynamicsRolando Mendoza, Design Director-Associate Principal @ Bermello Ajamil &#38;amp; PartnersDr. Niloufar Emami, Assistant Professor Illinois School of Architecture

Moderators:Sara Codarin, Asst. Professor and Karl Daubmann, 
Dean - LTU College of Arch and Design


The exhibition space was accessible with other possible special events and programming throughout the month.
Exhibition scan by Soper Design Inc.&#38;nbsp;


Additional content shared via Constructing Futures IG&#38;nbsp;︎
#ConstructingFutures


#DetroitMonthOfDesign


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	<item>
		<title>Information</title>
				
		<link>https://constructingfutures.design/Information</link>

		<pubDate>Sun, 23 Jun 2024 15:18:33 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/Information</guid>

		<description>
	
	About the events

Constructing Futures AI was selected to take part in the Detroit Month of Design in September 2024, a citywide celebration that gathers designers, creatives, and innovators to leverage creativity as an engine for sustainable and equitable development.

The proposed Constructing Futures AI exhibition presented an exciting opportunity to showcase Detroit's status as a national and global design capital, further enhancing its reputation as the sole city in the United States to receive the UNESCO City of Design designation. This designation aligns Detroit with a network of 31 other design cities and a total of 180 cities worldwide.
&#60;img width="4180" height="1835" width_o="4180" height_o="1835" data-src="https://freight.cargo.site/t/original/i/402df27858698188d89c540a07da8c42149a365dcb118715df0f73351b532b02/cf_landscape.jpg" data-mid="223082453" border="0"  src="https://freight.cargo.site/w/1000/i/402df27858698188d89c540a07da8c42149a365dcb118715df0f73351b532b02/cf_landscape.jpg" /&#62;


Curator Contact
Sara Codarin + Karl Daubmann


Curator Bios

Sara Codarin is an Assistant Professor in Architecture at the Lawrence Technological University, College of Architecture and Design. She earned her Ph.D. from the University of Ferrara, Italy, with a dissertation investigating robotic manufacturing processes for the conservation of Cultural Heritage. She conducts research in the field of large-scale additive manufacturing, robotic fabrication, ecological issues, and digital craft. She received the Crain’s Detroit 2022 Notable Women in Design and Construction award and exhibited her most recent work at the Ford House during the Detroit Month of Design. She is a techno-optimist, and she loves robots.

Karl Daubmann is an architect at the forefront of digital design. He is the Dean of the College of Architecture and Design at Lawrence Technological University. His teaching areas include design, digital design, robotic fabrication, construction, leadership, and multidisciplinary design. His design practice DAUB (design, architecture, urbanism, building) focuses on expanding the relationship between design, technology, and practice. Daubmann is a Fellow of the American Academy in Rome.


&#60;img width="1120" height="560" width_o="1120" height_o="560" data-src="https://freight.cargo.site/t/original/i/f47aab142f3ebd497a5659dac94e35b28c0bc9ed146f41f4317dffa5a5ce36e0/info002.jpg" data-mid="213453545" border="0"  src="https://freight.cargo.site/w/1000/i/f47aab142f3ebd497a5659dac94e35b28c0bc9ed146f41f4317dffa5a5ce36e0/info002.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>FAQ text</title>
				
		<link>https://constructingfutures.design/FAQ-text</link>

		<pubDate>Sun, 23 Jun 2024 15:18:35 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/FAQ-text</guid>

		<description>
	
	
This page is regularly updated with the most frequently asked questions to provide up-to-date information. You might contact the organizers at the following email addresses:

scodarin@ltu.edu or 
kdaubmann@ltu.edu

What is Constructing Futures AI?

Constructing Futures AI is an international call for visions of the future of construction technology for Detroit. The call invites individuals from around the world to submit creative and innovative images that depict their vision for how construction in Detroit will evolve in the year 2050.&#38;nbsp;

Who can participate in 

Constructing Futures AI

?


Constructing Futures AI

 is open to participants from all over the world. We welcome submissions from artists, designers, architects, urban planners, students, and anyone with a passion for envisioning alternative pasts, presents, and futures using generative AI.&#38;nbsp;

What kind of images can be submitted?

We accept up to 5 AI-generated images per submission. You are encouraged to submit images that effectively communicate your vision for the future of construction.

What’s the preferred format for the images?

All formats are welcome for submission. The exhibition is intended to be static images printed, however videos may be able to be included in ancillary screens.&#38;nbsp;

Is there a required AI text-to-image software/platform?

You are free to use any AI text-to-image software or platform of your choice to create the submission material. There are no restrictions on the version or specific software/platform to be used. Feel free to leverage the AI text-to-image technology that best suits your creative process and vision for the 

Constructing Futures AI

 project.

How can I submit my images?

To submit your images, please use the Google Form provided on our website. The form will guide you through the submission process, including uploading your images and providing any necessary details or descriptions.

Can I submit multiple entries?

Yes, you can submit multiple entries. Feel free to submit as many unique visions for&#38;nbsp;

Constructing Futures AI

 as you'd like. Each submission should be accompanied by the required information in the Google Form.

What happens after I submit my images?

After you submit your images, they will be reviewed by a jury panel of experts in the field. The selected submissions will be used as the basis for roundtable discussions and will also be featured in the 

Constructing Futures AI

 exhibition during the Detroit Month of Design in September 2024.

Will there be any prizes or awards for the selected images?

While there may not be specific prizes or awards, the selected images will gain exposure and recognition through various channels.&#38;nbsp;

Can I retain the rights to my submitted images?

Yes, you will retain the rights to your submitted images. However, by participating in 

Constructing Futures AI

, you grant the organizers the right to feature and showcase your images in the exhibition, roundtable discussions, and related promotional materials, with proper attribution.

When will the results of the selection process be announced?

The results of the selection process, including the chosen submissions and participants, will be announced on our website and through our official communication channels. Please stay tuned for updates.

Can I contact the organizers if I have additional questions?

Of course! If you have any further questions or need clarification about 

Constructing Futures AI

, please feel free to reach out to us through the contact information provided on this website.


&#60;img width="560" height="560" width_o="560" height_o="560" data-src="https://freight.cargo.site/t/original/i/9217a6a9e4cc0789dee91702183955394fdc1894cc476729872f4426379797ff/FAQ002.jpg" data-mid="213453841" border="0"  src="https://freight.cargo.site/w/560/i/9217a6a9e4cc0789dee91702183955394fdc1894cc476729872f4426379797ff/FAQ002.jpg" /&#62;
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</description>
		
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	<item>
		<title>submit text</title>
				
		<link>https://constructingfutures.design/submit-text</link>

		<pubDate>Sun, 23 Jun 2024 15:18:37 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/submit-text</guid>

		<description>
	
	Submit your work for potential inclusion in the exhibit using this link.

&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9b97537351a634a8835811cb9fa377573dd8bf851a03c749af913466396f2673/daubmann_detroit_future_of_urban_mobiliy_EV_autonomous_delivery_d87f90f4-d9b5-4716-b227-2d8e1a5b1b1e.png" data-mid="213442192" border="0"  src="https://freight.cargo.site/w/1000/i/9b97537351a634a8835811cb9fa377573dd8bf851a03c749af913466396f2673/daubmann_detroit_future_of_urban_mobiliy_EV_autonomous_delivery_d87f90f4-d9b5-4716-b227-2d8e1a5b1b1e.png" /&#62;
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&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/213353fbb26a1d8db6a649a44368bf0c4c1a125abd311db42df531209629a72d/006.PNG" data-mid="213442195" border="0"  src="https://freight.cargo.site/w/1000/i/213353fbb26a1d8db6a649a44368bf0c4c1a125abd311db42df531209629a72d/006.PNG" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>The Starting Point</title>
				
		<link>https://constructingfutures.design/The-Starting-Point</link>

		<pubDate>Sun, 23 Jun 2024 15:18:44 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/The-Starting-Point</guid>

		<description>The Starting Point
Chapter I
1937 — 2017

&#60;img width="5937" height="3893" width_o="5937" height_o="3893" data-src="https://freight.cargo.site/t/original/i/f881bffc48c71b1a167ab53fdb78cd2e2b37f433257f8e4538d9430a9e8d6642/kuxqqq7bljc-tiago-almeida.jpg" data-mid="213442224" border="0"  src="https://freight.cargo.site/w/1000/i/f881bffc48c71b1a167ab53fdb78cd2e2b37f433257f8e4538d9430a9e8d6642/kuxqqq7bljc-tiago-almeida.jpg" /&#62;

Year by year, month by month, the plight of our fragmentary and precarious civilization becomes more serious. Fascism abroad grows more bold and ruthless in its foreign ventures, more tyrannical toward its own citizens, more barbarian in its contempt for the life of the mind. Even in our own country we have reason to fear a tendency toward militarization and the curtailment of civil liberty.

Preface (p. 3) 
The Earth; The Starting Point


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	The Earth; The Starting Point
Preface (p. 3)
	No visiting angel, or explorer from another planet, could have guessed that this bland orb teemed with vermin, with world-mastering, self-torturing, incipiently angelic beasts.


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	The universe now appeared to me as a void wherein floated rare flakes of snow, each flake a universe.
</description>
		
	</item>
		
		
	<item>
		<title>The Diversity of Worlds</title>
				
		<link>https://constructingfutures.design/The-Diversity-of-Worlds</link>

		<pubDate>Sun, 23 Jun 2024 15:18:46 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/The-Diversity-of-Worlds</guid>

		<description>
	&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/d7dc664d650706a56cdc3a3ac9d69ed1a9b6daa49ede783310051b12872498ca/xoci18awxdk-matthew-henry.jpg" data-mid="213442244" border="0"  src="https://freight.cargo.site/w/1000/i/d7dc664d650706a56cdc3a3ac9d69ed1a9b6daa49ede783310051b12872498ca/xoci18awxdk-matthew-henry.jpg" /&#62;
	

gutenberg.net.au/ebooks06

Still the cosmos expanded, till the galaxies that were most remote from one another were flying apart so swiftly that the creeping light of the cosmos could no longer bridge the gulf between them.
But I, with imaginative vision, retained sight of them all. It was as though some other, some hypercosmical and instantaneous light, issuing from nowhere in the cosmical space, illuminated all things inwardly.


	Edition: 1
Language: English
	Character Set Encoding
Latin-1 (ISO-8859-1)
	Date First Posted
June 2006


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Date most recently updated: 
November 2017

	&#60;img width="3075" height="4612" width_o="3075" height_o="4612" data-src="https://freight.cargo.site/t/original/i/0ebdbd35f0a35cf75ab00246fd9fa10cac396e86d52855d4eaabca7201b7f6cd/aketfyhq9bo-samuel-zeller.jpg" data-mid="213442250" border="0"  src="https://freight.cargo.site/w/1000/i/0ebdbd35f0a35cf75ab00246fd9fa10cac396e86d52855d4eaabca7201b7f6cd/aketfyhq9bo-samuel-zeller.jpg" /&#62;


Once more, but in a new and cold and penetrating light, I watched all the lives of stars and worlds, and of the galactic communities, and of myself, up to the moment wherein now I stood, confronted by the infinity that men call God, and conceive according to their human cravings.

I, too, now sought to capture the infinite spirit, the Star Maker, in an image spun by my own finite though cosmical nature. For now it seemed to me, it seemed, that I suddenly outgrew the three-dimensional vision proper to all creatures, and that I saw with physical sight the Star Maker. 
 I saw, though nowhere in cosmical space, the blazing source of the hypercosmical light, as though it were an overwhelmingly brilliant point, a star, a sun more powerful than all suns together.

It seemed to me that this effulgent star was the center of a four-dimensional sphere whose curved surface was the three-dimensional cosmos. This star of stars, this star that was indeed the Star Maker, was perceived by me, its cosmical creature, for one moment before its splendor seared my vision. And in that moment I knew that I had indeed seen the very source of all cosmical light and life and mind; and of how much else besides I had as yet no knowledge.


gutenberg.net.au/ebooks06
June 2006
</description>
		
	</item>
		
		
	<item>
		<title>Interstellar Travel</title>
				
		<link>https://constructingfutures.design/Interstellar-Travel</link>

		<pubDate>Sun, 23 Jun 2024 15:18:49 +0000</pubDate>

		<dc:creator>ConstructingFutures</dc:creator>

		<guid isPermaLink="true">https://constructingfutures.design/Interstellar-Travel</guid>

		<description>&#60;img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/427c73a8e1487ef62c0b2825aa75e7541771a877e205f6d0caceb5d92145ba65/tv2et43jk0w-scott-webb.jpg" data-mid="213442256" border="0"  src="https://freight.cargo.site/w/1000/i/427c73a8e1487ef62c0b2825aa75e7541771a877e205f6d0caceb5d92145ba65/tv2et43jk0w-scott-webb.jpg" /&#62;The Starting Point (17-18)
Chapter II


&#60;img width="4770" height="3180" width_o="4770" height_o="3180" data-src="https://freight.cargo.site/t/original/i/07c6fb5e7d9e9a799de13f08708af9470b03d1346b479a6f7d32fa63c597976f/0kxryh5tak-samuel-zeller.jpg" data-mid="213442258" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/07c6fb5e7d9e9a799de13f08708af9470b03d1346b479a6f7d32fa63c597976f/0kxryh5tak-samuel-zeller.jpg" /&#62;
On the Other Earth
pp. 25-26
Interstellar Travel

Chapter I
Interstellar Travel (pp. 17-18)


&#60;img width="3075" height="4612" width_o="3075" height_o="4612" data-src="https://freight.cargo.site/t/original/i/0ebdbd35f0a35cf75ab00246fd9fa10cac396e86d52855d4eaabca7201b7f6cd/aketfyhq9bo-samuel-zeller.jpg" data-mid="213442257" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/0ebdbd35f0a35cf75ab00246fd9fa10cac396e86d52855d4eaabca7201b7f6cd/aketfyhq9bo-samuel-zeller.jpg" /&#62;
Chapter III
Desert of darkness and fire


	A Busy World (30-31) 

The new invention1937 — 2017


&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/d7dc664d650706a56cdc3a3ac9d69ed1a9b6daa49ede783310051b12872498ca/xoci18awxdk-matthew-henry.jpg" data-mid="213442265" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/d7dc664d650706a56cdc3a3ac9d69ed1a9b6daa49ede783310051b12872498ca/xoci18awxdk-matthew-henry.jpg" /&#62;
The Other Earth2014


&#60;img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/9124de137ed7278b6111224ea17982bb3ac96eba86981853863202a0bb978340/2xvnv8gj3zk-samuel-zeller.jpg" data-mid="213442264" border="0"  src="https://freight.cargo.site/w/1000/i/9124de137ed7278b6111224ea17982bb3ac96eba86981853863202a0bb978340/2xvnv8gj3zk-samuel-zeller.jpg" /&#62;
The Diversity of Worlds2017 — 2019

	&#60;img width="4870" height="3247" width_o="4870" height_o="3247" data-src="https://freight.cargo.site/t/original/i/b2e8d310efaf43ef58da605ca0b2729acb4da51e60422c01be6033d76046f150/kczzaboax9y-samuel-zeller.jpg" data-mid="213442259" border="0"  src="https://freight.cargo.site/w/1000/i/b2e8d310efaf43ef58da605ca0b2729acb4da51e60422c01be6033d76046f150/kczzaboax9y-samuel-zeller.jpg" /&#62;
stimulus to nationalism
2014


&#60;img width="1250" height="1250" width_o="1250" height_o="1250" data-src="https://freight.cargo.site/t/original/i/4d500ea30c1910d87504f18934a0ba0dd4ad0187fdb350b75c81d0e694beb7bc/f12.jpg" data-mid="213442262" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/4d500ea30c1910d87504f18934a0ba0dd4ad0187fdb350b75c81d0e694beb7bc/f12.jpg" /&#62;
Prospects of the Race 2017 — Libero


Worlds Innumerable — MankindsIt is better to be destroyed than to triumph in slaying the spirit. Such as it is, the spirit that we have achieved is fair; and it is indestructibly woven into the tissue of the cosmos. 

We die praising the universe in which at least such an achievement as ours can be.&#38;nbsp;</description>
		
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